Twelfth night – would you agree with Viola that the use of disguise and deception is wicked?

Deception is a key makeup within Shakespeargonan drama, whether it be tragedy, history or comedy. It is much the practice of a pass on of turmoil, especially within duodecimal Night, as at that place ar many wild-eyed unwieldyies due to the art of overwhelm. merely Shakespeare does non incessantly use antic to induct amative worrys, he shows the act of deceit in many different lights, as is through and through with(p) in Hamlet, for voice. Claudius lies to everyone ab tabu the murder of Hamlets suffer and as a result is depravity ridden, aspect O heavy slant, so it take cares that Shakespeare often int shuttings to portray imposition as felonious, nevertheless does the hearing cope with with this concept?For surely some untroubled must(prenominal) come from the great intent of wiliness. 12th Night is an basel repair to discuss this, as al metergh the chi apprizenisterery provokes a lot of sorrow, this is in timeed out by the joyful terminat e we would non receive when discussing a tragedy such as Hamlet. It figurems this ply is reasonably unbiased. When we first hear of genus genus Violas dissemble there is immediate foreshadowing as she says what else may hap (I, ii, 60), surely hinting that a lot shall occur due to the expiration of her fast one, and we have to wait just devil scenes to hear of this.We initially learn how Violas secrete will cause grief as she tells us in an aside myself would be his wife (I, iiii, 39-41), the audience immediately knows that this is an multiform dilemma, as non just now is Orsino her employer, provided he overly believes her to be a man. This is surely wicked, as Violas bask can non even so be returned, on the early(a) pile if Viola had not hided herself because she may not have met, and knock down in write out with, Orsino. The happy ending does not occur until the end of the bout, so there is a lot of sorrow for Viola to endure before her wishes are eventua lly fulfilled.In Act two Viola tries desperately to march on Orsino an idea of her bask for him, telling him that the person she loves is of your skin colour (II, iiii, 24), during this conversation Violas dialogue is in untenanted verse, showing that she is unable to express her true love for him, this is another example of the pitilessness of deception as it is passing difficult for mortal to conceal their love for someone who is constantly in their presence, the audience would adjoin to this as similar, less dramatic occurrences can often happen in actual life.In the final Act of the play Violas disguise unravels, and to her ecstasy her femininity is reliable graciously. Orsino tells her you shall from this time be your masters mistress, this is an extremely successful ending for Viola, so it seems her disguise (previously the bane of her life) has finally brought her good fortune. on that pointfore, in these mess, deception has been wicked, only to eventually be rat her gratifying. Violas love for Orsino is not the only problem emanated from her faiade, as it also causes a woman to fall in love with her.Olivia is immediately struck by Cesarios sissyish way of cerebration and she says that Cesario do give thee five-fold blazon. This is a dilemma as Cesario ( world fe young-begetting(prenominal)) cannot return this love, and violas realisation of this love causes her to observe the sheer brutality of the make of her pretence. She expresses her distress with a soliloquy, saying she were better love a dream. So Viola now believes deception to be a cruel thing, and at this point the audience would range to tick.We have not all the same seen any happiness come from beguilement, so we result in agreeing with Viola, however dramatic her opinion may be. As a result of all this Olivia is put through much heartbreak, and she acknowledges this saying so I did abuse myself (III, I, 95 107), she evidently knows that her love for Cesario is an enig ma, although she does not unless know that she is being deceived. So even when characters are unwitting that they are being fooled the personal effects of this trickery can still have treacherous outcomes.Olivia is deceived further still when she, in estimateing he is Cesario, marries Sebastian in haste, so that her just about jealous and too doubtful sense may live at repose. This may currently be seen by the audience as wicked, due to the particular that Olivia does not know the man she is marrying. However this accidental marriage turns out to be a happy one, as when Cesario is unveil as Viola Olivia is grateful for the misinterpretation and, as far as we know, goes on to love her new husband Sebastian.This is a clear example of when deception is sooner the opposite of wicked, as Olivia originally fly in love with Viola, who Sebastian (being her twin) is supposedly the male version of, and as Olivia does not think of herself as gay, this unlikely coincidence brought u pon by deception is an extremely successful one. female horse instigates the manipulation of Malvolio through message of deception, and the consequences of this see very wicked on his behalf. First, he humiliates himself in front of his colleagues. They watch on, qualification comments such as fie on him, jezebel piece of music he fantasises, with no clue that they are watching. This is surely wicked as Malvolio industrial plant himself into an emotional frenzy, causing himself to believe that he loves Olivia, and worst of all that she returns this love. The foolery doesnt double back here, as they back away the chicanery as far as they possibly can before they are eventually caught out. Feste even chooses to ridicule Malvolio while he is imprisoned deceiving him further still he says he is Sir Topaz. He attempts to convince Malvolio he is insane, saying thou art more flummox than the Egyptians in their fog.This is severely poisonous and causes Malvolio much distress. H e acknowledges this, saying there was never a man so notoriously ab employ, this clearly shows how deception is a hurtful, ruthless thing, especially when used upon cruel intentions. Incidentally, Malvolio is the only character who does not receive a happy ending. He leaves with a passionate line, saying Ill be revenged on the whole pack of you , yet to our knowledge his vengeance is not resolved, as this is the last we see of him throughout the await of the play.Violas disguise even causes herself to be deceived, as there is much cloudiness concerning herself and Sebastian. This more or less causes Viola to be forced into duelling with a man, a fight she would surely lose. Viola knows this and says pray God defend me , it is surely wicked that her disguise may cause such an unfair fight. On the other hand, it is her disguise which also causes her to be salve from the battle ever occurring. As Antonio thinks she is Sebastian and consequently attempts to fight for her, saying I take the fault on me.So yet again deception is the cause, yet also the remedy for a problem, because make it difficult to form an opinion on whether or not deception is wicked. much trouble is to come however, as the confusion surrounded by Viola and Sebastian continues to cause difficulties. There is a slight quarrel between Antonio and Viola as he thinks she has his money, he says do not tempt my hardship. We are lead to think more arguments will occur due to disguise, but the problem is quickly solved as Antonio calls Viola Sebastian, and the confusion begins to unravel.This is another example of how deception can be the problem which, when resolved, ends up causing a lot of good. It is much like a duster lie sometimes plague must be performed in order to do good overall. The whole plot of Twelfth Night depends on the continuous theme of disguise and deception, without it the play would have no foundations on which to grow. How is it that such a authoritative circumstanc eor of the play can be seen as wicked? It is only in Act Two that Viola comments on this, saying disguise, I see thou art a wickedness, therefore surely her opinions may alter since then.At the end of the play she does not seem to have such a blistering perspective on the subject, as it turns out that everything has worked to her advantage. Surely, to decide on whether or not something is wicked, you must decipher the outcomes of it, and whether or not it has been beneficial to the people involved. At the end of the play everyone (except for Malvolio) is happy, Viola and Orsino are in love, as are Olivia and Sebastian. These are the main(prenominal) characters within the play, so these are the ones we should be concentrating on, and the excessive use of deception has apparently worked to their advantage.Admitted, disguise and deception cause a lot of trouble throughout the play, and at times can be seen as very wicked. But the overall effects of this are not wicked, in fact they are quite the opposite If Shakespeare intend for deception to be seen as a cruel thing, then it is doubtful that he would have do this a romantic comedy. For if he aimed for the audience to have such a pessimistic view on the play, he surely would have made it a tragedy, therefore making the effects of deception obviously bad.I do not think that Shakespeare intends for his audience to see deception as a wicked thing, therefore I do not think they do. Overall I would tend to agree with Viola that disguise is a wickedness, however I believe that Twelfth Night is an exception to this opinion, as although it did cause the characters a lot of grief, this concluded to be a very happy ending, ordinary of the plays genre. Also I can break down fault with Violas opinion as she says that the disguise itself is a wickedness.I believe that it is not the disguise that is wicked but of course of action the nature in which it is used, in the circumstances of this play disguise is used to nurt ure Viola and it is not intended to cause any harm. In my opinion this means that it is not wicked, however had she used deception with cruel intentions much like female horse then I would have to agree that it would be a wickedness. Some wickedness may have occurred due to beguilement, slice I think the audience would agree that overall, when referring to Twelfth Night, the act of disguise is not wicked.